Recent LessonsThe Basics of Image Resolution
by Daniel Hayek 5 days ago
Image resolution is an important term when it comes to making and watching videos. If you go to an electronics store you’ll be bombarded with information about how every gizmo and gadget is HD, Full HD, even HD 3-D. Let’s dig a little deeper and learn what all the fuss is about.
Many factors determine the quality of an image, but for the purpose of this lesson we’re going to focus on just one aspect: resolution. At its most basic level, resolution is a measure of how many pixels an image contains. Pixels are the tiny little squares that make up a digital image. Each minuscule square is like a piece of puzzle, by itself it doesn’t do much, but collectively all the pixels combine to form an image.
As an example let’s look at a simple image, like the Vimeo icon below. From left to right you’ll see that as we add more pixels or increase the resolution, the image gets sharper and more detailed.
Category: Gear , Shooting Difficulty: Beginner An Introduction to Color Correction
by Sam Morrill 13 days ago
For many creators, color correction (also known as color grading) is the last step in the process before a video is completed. Although the raw video taken from your camera may look good already or at least perfectly passable, color correction provides an excellent opportunity for you to make your video look even better.
This lesson will show you three different methods for color correcting your video. The first two show you how to use color correction to subtly touch up your video in Final Cut Pro and After Effects. The third video shows you how to use the popular plug-in Magic Bullet Looks to stylize your video.
Final Cut Pro includes a 3-way color corrector that allows you to adjust the whites, mid-tones and blacks in your video. This can be a very handy and straightforward tool to correct your video’s white balance and flesh tones. Zach King from FinalCutKing.com made this tutorial to get you started:
Category: Editing , Software Difficulty: Advanced Get Funky with Photomotion
by Stephen Niebauer 26 days ago
Photomotion is a fun way to make an animation with your still-camera, or DSLR. It is just as it sounds! It’s motion through photographs. Usually with Photomotions, the camera is the one moving, along with it’s subjects. These are a little different than stop-motions (think claymation and Tim Burton’s stuff) which typically has the camera fixed and the subjects are the only things moving bit by bit.
Here is a great piece called “Walkabout” by Bill Newsinger. In the beginning, you can see exactly what shooting a photomotion is like, as he shows his walking/shooting process. He also created his own music to go with the video!
Category: Editing , Shooting Difficulty: Beginner 3-Point Lighting
by Stephen Niebauer 1 month ago
Three-Point Lighting is the basic lighting setup to use when you want to get great looking shots of people you’re filming. It seems self-explanitory — you want to light the subject so you can easily see them, but using a 3-point lighting set up will make your subject look awesome and you’ll be instantly renowned as a professional.
Three-point lighting is exactly what it sounds like. You light your subject from three different sources in order to control the shadows and balance the contrast.
Three Light Sources:
Key: This is the main light source. It shines directly on the subject, usually from the front-right or front-left. It provides the overall look and feel of the shot.
Fill: The fill provides balance to the key by filling in the rest of the subjects face with a softer light. It comes in from the front-side opposite the key light.
Back: The back light creates a nice rim of light around the back the subject, separating them from the background. It can also be called a “hairlight” or “rim-light”.
How to Setup 3-Point Lighting:
Start in the dark. Begin with all of your lights off, and as little other ambient light as possible. This will help you differentiate between the three lights that you will be adding.
Add your key light. Your key light is the brightest light in the scene and creates the overall feel of the shot. Adjust its brightness to your liking. It’s recommended to angle the key light about 30 degrees the right or the left of the subject. Another good tip is to have the key light nice and high, to reduce shadows on the face.
Add your fill light. The fill light should be on the opposite side of the key, but still in the front. A good tip is to not make the key and fill symmetrical. The fill should be at face-level of the subject, and should fill in the remaining shadows. The intensity of the fill light should be about half of the key light.
Add your back light. And finally, the back light will separate your subject from the background. It can be placed anywhere behind the subject, but make sure to not get it in the shot! You’ll want to angle it down from pretty high, so as to achieve a nice outline on the edge of the subject.